Rust - why not?

Since I have been contributing to G+, I have looked at things around me with even more inquisitive eyes than before. I have been asking myself - why not? Why not see a beauty in what we usually perceive as ordinary or indeed ugly?

I do not know how many times I went past this lid to a drain that is in my parents garden. Such an ordinary thing, one that goes well and so easily unnoticed.

However, when one forgets the already known and starts to see the colours, their tones and the texture or the shape itself, the already known ordinary item becomes a brand new object worth observation.

Suddenly, I actually look for rust or any ageing visible on objects. I see this as being more interesting and exciting. Out of the blue, even this rusty screw on the edge of an ageing bench becomes attractive.

The old screw reveals its old age, it weathers in all conditions and proudly stands as a timeless beauty. The old screw becomes centre of attention, ready to share its tones and shape in a spotlight.

The red that comes out in a rusty process adds character to its bearer. It brightens up a theme lifting it from a pretty scene to quite an
eye-catcher.

Whether the centre of attention or accompanying a scene, there is something we can learn from something as mundane as rust. All it takes to cheer up a scene is one stronger tone; which is something quite essential in, for example, fashion.

What an unlikely process to take inspiration from. This is nature from a different angle than I usually look at. Buy why not? It does not always have to be a plant, rock or a bug. It can be a process. What is more, it creates great compositions to photograph. And that is what I love. I just cannot help it.

Have a great week and see you next time. K-)

My London Design Festival 2013

A year on and the London Design Festival came to my doorstep again. As this is a tradition now, I attended both '100% Design' and 'Tent'. I just must see what is happening in the world of design...

My personal favourite came in a form of a simple understanding of light, reflection and colour in Elizabeth Walker's eye-catching wall piece.

The combination of all three aspects topped up with hours of hard work, Elizabeth, a graduate from University of Buckinghamshire (I hope I am not mistaken by the name of the collage) specialising in surface design, was certainly at the right place at 100% Design.

Displaying only one panel (given by the limited space allowed to collages), Elizabeth reveals the entire piece by a photograph underneath. However this one piece was enough for me to stop and admire her work...

Diving closer for a photograph, it finally became clear to me how this is done.

The original structure has not higher/lower surface, it is all one level. By a clever placement of colour pieces into appropriate cells (or shall we call them pixels), an image is created.

A point to note, Elizabeth used only 6 colours, the primary ones. Also, what I really like here is how this piece ties scientific (the law of physics), digital (braking image into pixels) and craft (hand-made piece and skill) world into one.

I would say, this is another example of something becoming so effective through simplicity...

'Furniture Magpies' and their stand took me back few years, back to my study years when recycling was the thing...

When you step back, you suddenly begin to see where the original material came from. This all is expressed so well by the company belief: We don't believe in good furniture going to landfill when it can be redesigned into pieces that people can love all over again.

A top desk of a table becomes a rocking horse, wool is reused into a knitted/crocheted lampshades or table/chair legs become a table top...

By cutting alongside the length of various table/chair legs, an interesting texture is revealed, a 3D object is flattened and when reattached together makes a new object, a new piece of furniture.

It is also becoming a tradition that when at 'Tent' I find Lizzie Mary Cullen and her stand. Every time, I am looking forward to seeing and admiring her skill and even this year I was not disappointed...

I was rewarded with a wall of colourful chalk drawing and of course a charming personality that Lizzie has.



As always, there was much more to see and admire and as usual, I have selected only a snipped from the sheer volume of exhibitors and locations that make London Design Festival so special. Also, leaving the writing of this post few days after my visit, I become more selective. One thing I have to say is that LDF never disappoints. K-)